A Gift From Perseus – The 2019 Perseid Meteor Shower

Each year in August the Perseid Meteor shower arrives. And each year I find myself outdoors photographing them, especially if the moon allows for dark skies. The 2019 Perseid Meteor Shower was one of those events. This is a composite photo of some of the meteors that fell this last weekend in Baker City Oregon.

Every August I conduct a Photography Campout/Workshop in Eastern Oregon. The Dead Ox Ranch Photography Campout has become an annual event with many of the participants returning each year. The festive atmosphere wasn't dulled by the 108F daytime heat. The big trees of at the Dead Ox Ranch cast beautiful shade over the green grass in the common area where we spend our time. We choose a New Moon weekend to take advantage of the blazing stars and arching Milky Way.

As a part of this years event I gave a class that explained how to create a composite photo that combined the meteors along with a Milky Way over a foreground. To create this photo I set my camera up to take three hours of 30 second exposures. I then used the best meteor images to blend into this sky. The photo of the old building was taken at twilight.

Consider coming out to next year's event. Space is limited and camp spots go quickly.

Pathway To The Stars – The Milky Way Over Mount Hood

The Milky way Over Mount Hood Oregon

Pathway To The Stars. The Milky Way Over Mount Hood Oregon - I had a great time hanging around in the dark with my brudda Rob last night. We shot the night sky over Mount Hood from the north side while talking about the Milky Way over Mauna Loa - The night was as warm as a Big Island night - and other places where we've stood and observed the stars.

There are very few things that surpass the brilliance of the stars on a dark Summer night. Since I was a small boy I have slept outside whenever possible, even if only in my backyard. I'm fortunate to have lived in some places that have extremely dark night skies.

I remember great times while I was in school in the Illinois Valley of Southern Oregon when neighbor friends, my brother and I would just lay blankets out in the pasture, set up our sleeping bags and count falling stars and satellites until we fell asleep only to wake up again at sunrise covered in dew.

I was reading the other day that 80% of the people in the United States are unable to see the Milky Way at night. That's a sad figure. I sincerely feel that when we remove ourselves from the natural world we suffer. Taking away the stars in the sky that have caused so many people to dream fantastic dreams and thoughts of wonderment and hope is the last brick in the wall of separation of humanity from Nature. Stand in a city some night and search for anything natural. Even the sky is cloaked in a bath of unnatural light. How can we understand what Nature requires from us if we don't understand her?

Please do yourself and Nature a favor and reconnect your soul to the Earth and all of its natural fantastic wonders. Drive somewhere dark some night and look up. Bring a blanket and a sleeping bag. You may be there for a while.

Robert Randolph and The Family Band in Portland

Robert Randolph and The Family Band

Robert Randolph and The Family Band in Portland - Darlene and I had an opportunity to photograph the Portland Oregon Waterfront Blues Festival with Robert Randolph and The Family Band as a headlining act. We're big fans and had a great time. We were able to meet him after the concert as well as a couple of the band members. I was so impressed at how kind, friendly and humble that they are.

 

 

Shaniko Oregon

Shaniko Oregon

Shaniko Oregon Ghost Town Photo Clinic - July 28, 2018 - Gary Randall Photography announces a day exploring the central Oregon ghost town of Shaniko.

This will be a 1 day field trip photo clinic. Although Gary will cover the basics, this will be a great class for intermediate or advanced photographers who want insight into how I create my photos.

The workshop will be held at Shaniko just north of Madras in Central Oregon. The group will meet at 10am in front of the Shaniko Hotel. We will have a lesson and then we will put into practice the techniques explained by Gary during his talk. Gary will be available throughout the workshop to answer questions, give tips and advice.

The price is only $150. !!!

Class size is very limited so sign up right away to reserve your spot. CLICK HERE to sign up.

Night Sky Photography

Mt Hood Milky Way

Night Sky Photography  - Summer is here. For a landscape photographer this time of the year means good weather, green forests, flowers, warmer nights and starry night skies. I enjoy heading out for a sunset and staying until the stars come out, and in many cases, staying out until sunrise. Sunsets and sunrises are always a wonderful time to get dramatic landscape photos, while landscape photos with an amazing Milky Way in the sky above can be unique and dramatic.

Night sky photography is a form of photography that seems mystical and magical. To many people night photography appears to be complicated and left only for those with the most acute photography skill, when in fact once you understand just the basics of the exposure triangle - Shutter speed, aperture and Iso - you will realize that all that’s being done to get these dark night sky photos, in most cases, is to get as much light into your camera as possible.

Set your camera on Manual, set up your tripod and let’s get started.

As most photographers know when you use a long exposure you will need a tripod. Your tripod will keep your camera still during the exposure. You will want to insure that no movement takes place at all during the exposure. Another device that helps with this is a shutter release. The shutter release will keep you from moving the camera when you press the button. If you have no shutter release you can usually set your camera timer to take the photo a few seconds after you click the shutter button.

Your exposure setting will need to be extended, in most cases, up to 20 or sometimes 30 seconds. This will depend on how dark the sky is. Remember that the darker the sky, the brighter the stars, therefore a night without a moon will give the best starry sky. The only negative consequence will be less light on your subject or foreground. Many times just a slight sliver of a moon will allow a more defined foreground while still allowing the stars to shine.

Concerning shutter speed, the only consideration that you must have is that the longer the shutter is open the more movement you will detect in the scene. Even in the stars as at some longer focal lengths the stars will streak slightly when you extend the exposure to 30 seconds. These star streaks turn into star trails if allowed to streak long enough, sometimes up to 30 minutes. This method will create amazing surreal images of steaks and circles of light above your subject. To do this requires another method, not explained here, to pull off.

The next thing that one must consider is how the aperture will block or allow light to pass through the lens and into the camera. When light is dim or it’s dark outside you will want to allow as much light through as possible, and to do this you must use a wider more open aperture - A smaller number. Without getting into the math involved just remember that when you open your aperture you will be allowed a quicker shutter and a lower Iso. Both are desirable, which I’ll explain later. A good quality lens will allow an f/2.8 aperture setting.

Next is your Iso setting. What is Iso? You know that the longer that you keep your shutter open the more light will pass through the lens and into the camera. We also know that an aperture that’s open wider allows more light in. In digital photography we have no film but we do have electronic film in the form of the image sensor. The image sensor’s sensitivity to light can be adjusted. The higher the Iso number the more sensitive to light your camera becomes. Iso 1000 will be more sensitive to light than Iso 100, for instance. Therefor you will need to raise your Iso to get your starry night photos. It’s easy to think that all one needs to do is raise their Iso, but there are negative effects in the form of noise in the image. In film it’s called grain. To get a cleaner image you want to keep your Iso as low as possible. Extending your shutter speed and opening your Iso allows you to do this.

One thing that one must remember when setting up is that in the dark it’s more difficult, or in many cases impossible to use your light meter to determine your settings. Therefore one must take a couple test shots before they get the exposure right.

Another important and in many cases the most difficult part of getting setup for the shot is focus. Unfortunately on a zoom lens when you set the focus to infinity the stars will not be in focus. And at night when it’s dark it’s difficult to manual focus. I recommend taking your camera out in the daylight and setting the focus to an object far away and then marking the lens. I have used tape where when I line up the edges of the tape it’s in focus. There are other methods, but this is the simplest until you gain more experience.

And so once we understand this we can let more light into the camera using these three settings, we can start taking photos in low light. Tripod, long exposure, open aperture and a higher Iso. The next thing to do is to go out and practice. Once you do this a few times your photos will get better and your understanding of what settings to start with will become more second nature.

For more in depth instruction I'm alway available for private one-on-one in field workshops or post processing in person or via Skype.

Crystal Crane Hot Springs Milky Way
Crystal Crane Hot Springs Milky Way

Making Money With Photography

Wedding Photography

If making money with your photography is your goal, what's holding you back?

It's taken me a long time to realize that making money with your camera can be pretty simple, but one must be happy making a little in the beginning and realize that the dream of good money comes in time. Like all journeys the sooner that you start the sooner that you arrive where you want to be.

Beyond practicing to perfect your photography skills, the hard part is making the effort to find the jobs. If anyone has followed me close enough through the last 15 years they can attest that I've had some rough times. It has taken me longer than it should have to realize a few simple facts of life concerning business, motivation and purpose concerning my photography business. If I can save anyone any time, I’m glad to share what I’ve learned.

It doesn't matter if you have “real” job or not beyond your photography. You probably have some spare time that can be invested in creating or improving your photography business, be it your skill, your marketing plan or simply finding jobs. You must understand that you will be doing a lot of work for yourself that is an investment in the future of your business. A website, for example, will take a lot of time to keep current and relevant. Social Media and other forms of marketing take time as well.

First consider what you enjoy photographing the most or what you feel that you’re good at. I'm not talking about the remote and breathtaking landscape photography created as your art necessarily, although print sales can be added to the aggregate of income, practical photography jobs are more consistent work and pay. Jobs such as portraiture, events (weddings, engagements, etc) or real estate. These are jobs that fill a need of a client. This is work that you can get any day of the week. In my case I enjoy real estate photography jobs more than I enjoy weddings so I look for real estate agents that I can help. There were 255,284 homes sold in Oregon last year. There are 16,000 real estate agents in Oregon. There were 26,787 weddings in Oregon in 2016. All you need are a small handful of loyal clients. The work is out there.

Furthermore, there are a wide array of budgets for these jobs. There’s someone who has a budget that suits your rates no matter how low or high it might be. Start with lower paying jobs with less expectation and work your way up as you gain experience and reputation. You’re not a Richard Avedon or a Dorothea Lange, but they were beginners once too.

Let's say that you want to do real estate photography. Start by photographing your own home or, perhaps, a friend who has a home that would photograph well. If you want to do portraiture photograph your family and friends. Gain confidence by practicing. The same goes for approaching potential clients. Most people fear the word “no”. Put the thought in your mind that they aren’t rejecting you, they just don’t have a need for what you are offering. A no saves you a lot of time to go find that yes.

Don’t hesitate to turn down a job if you feel that it’s beyond your ability. It’s better to admit that than to get yourself in over your head and becoming discouraged, but overcoming challenges working as a photographer will be the best way to improve your understanding of photography. I have learned many lessons in my real estate work that I have been able to apply to the other forms of photography that I enjoy, for instance. In other words, these types of photography jobs will make you a better all around photographer. Play it safe, don't be afraid to fail. A lesson is learned and life goes on.

Next is that when you have your own business you have no boss to tell you what to do and when to do it. It's up to you to motivate yourself to do what needs to be done. A job must be done completely and done well first, and in a timely manner second. Your client would rather have beautiful photos in due time, than crummy photos quickly, but be prompt in returning your work to your client. It’s also up to you to motivate yourself to do what you know needs to be done including the parts of the job that don’t require taking photos, which are typically seen as chores by most photographers and artists trying to make a living with their skill. Bookkeeping, accounting, taxes, sales calls, follow ups, invoices. It all adds up, and many burgeoning photography entrepreneurs don’t consider all of that. It can be daunting, but it can be simple in today's computer age. Keeping good records will help you to take advantage of the tax laws made to encourage small businesses such as yours. Make your spare bedroom your office.

Create your brand and build a website with the best examples of your work. Make your brand identifiable to you. Make it your business identity. Print business cards and hand them out to everyone everywhere. I even hand mine out while hiking. The simple act of handing someone a card is empowering in itself. Represent yourself as a professional. Visit businesses that you feel may need what you offer. Make a contact there and get their card. Leave several cards before you leave and mention your website, then follow up with a call a few days later. You may feel bashful or even foolish at first, but don’t stop shaking hands. You will feel more comfortable in time. We’re all dealing with the same insecurities, including your potential client. We’re all human. You may be surprised how many people that you will find who will relate to you.

An important part of creating this new world of pro photography, which has nothing to do with photography, is to pare down your cash flow expectations and requirements. Relegate your photography income to your business if possible, or pay off the things that are keeping you from investing that money in yourself. If you are in a situation where your financial obligations are making your life top heavy, rethink your situation and remove obligation if at all possible. You can do one of two things to affect your money situation. You can either make more money or you can get rid of financial liability. Debt kills dreams faster than anything. I may not have the nicest car or the nicest house, but both are mine and those simple, basic things give me what I require for shelter and transportation plus the freedom to not have to have such a large amount of bills to pay each month. I'm not on this earth to impress anyone so new cars or a home with excess mean little to me. This also applies to your tools. I have never bought a new camera. I always buy gently used, but one day I'll have the best camera in the world.

Last you must believe in yourself and your abilities. Confidence comes with pride in your work and affirmation from happy clients and followers. It comes from seeing an improvement in your own work. It comes from actually being paid for a job well done. Being confident in your abilities give you confidence in approaching potential clients. All this comes from practicing and getting better at your photography. You must start somewhere, sometime and not stop. You must expect delayed gratification. You must have faith that it will happen. You must resolve yourself to never quit.

I’m at a point in my life where I’m realizing the benefits of the work that I have done over the past fifteen years. Sure there are others who have been more successful or have reached equivalent goals as mine quicker, but that’s their world. That’s what you have to tell yourself. This is your world and nobody else's. Relax, set your sights on your goals and live each day doing your best to reach them.

Now with all of this being said, this is my world, but I am a full time professional photographer. Am I hugely successful or even slightly qualified to give advice? Maybe not, but there’s always someone out there that needs to hear what you or I have to say. These are my thoughts. These are the things that I tell myself. I hope that this helps someone out there realize their dreams and goals.

If I can do this, you can too.

The Bridge to Beautiful

Pont du Parayre, Le Ruisseau d'Audiernes, Peyrusse le Roc, France

Pont du Parayre, Le Ruisseau d'Audiernes, Peyrusse le Roc, France. Meaning, "Bridge Parayre, The Stream of Audiernes, Peyrusse le Roc, France".

This is one of my personal favorite photos. Perhaps due to the emotion that I feel when I think of the day that I spent with friends getting this shot at such an historic culturally rich location, but certainly this little bridge had a lot to do with it.

The story behind the photo.

I was perusing the interwebs one day looking at medieval castles and stonework - Doesn’t everyone? - when I came across a rather primitive photo of an arched bridge in France. It was just a simple snapshot, but for some reason it captured me. I did some research and found out the location, as well as a few more photos.

In time I was fortunate to have been invited to France by my dear friend Frederique. (Truly one of the most beautiful and kind people that I've ever met, and an excellent photographer and guide.) During a conversation with her prior to travelling there we talked of photographic possibilities and I asked her about this bridge and if she knew where it was. She replied that she did indeed know where it was and that we would go there on my trip. I could hardly believe it and I got excited every time that I thought about it until the day that we arrived there.

It was a perfect day for the visit. We arrived early in the day after a drive through the beautiful south central French countryside in a soft rain. It's what I would expect for a January day in France, and not much different than a typical January day here in Oregon. The creek was full of water fortunately as it can dry up in the summer months. The foliage was sparse due to the time of the year, but the scene was wet and luscious.

The the village Peyrusse le Roc, founded around 767 AD, whose original name was Petrucia, was a substantial town with a population of around 3500 people at its peak, while today the little town has no more than a couple hundred residents. The town was supported by local silver and lead mines until they closed up around 1400. Abandoned and in ruins there, are no less than twelve impressive medieval stone structures including the ruins of the Notre-Dame-de-Laval Church, a 14th century king’s tomb, two amazing bell towers and several other incredible stone structures in various stages of ruin.

The ancient village was built on the side of a wooded canyon with fairly steep but negotiable pathways connecting each of its levels, structures and features with the main village being at the top. The trail itself being, most likely, older than the village itself, makes its way down to the creek where this little roman style arch bridge resides. The area surrounding the bridge has some faint rock ruins here and there that tell of a day when a small mill of some sort existed there, but this bridge stands alone as a testament to the skill of its skilled builder. The bridge itself shows no sign of collapse or structural weakness, but does show worn grooves in its roadbed rock indicating wear from countless carts, beasts of burden and the footfall of people travelling over it in the last thousand years.

As I stood there I leaned on the rock of this bridge and wondered if the bridge was a conduit of connection between the builder and I. I could visualize him standing there proud of his work, leaning against the same stone and wondering if some day, perhaps a thousand years in the future, if someone would take the time to think about him.

To visit a location such as this that’s so rich in such ancient human history was incredible to me. I feel this way every time that I’m in an historic location with such a rich cultural history. I have sat in the doorways of ancient Anasazi ruins in remote canyons in the American southwest and have had the same feelings of connection to those who had been there before me.

As it was, I was hesitant to leave this amazing place as I kept turning and looking back until I could no longer see this little bridge, but left feeling satisfied and happy.

Each year since then, over the last five years, I have pulled this photo out to try to, in some way, process it into the image that my mind and memory evokes of that day, but I hardly ever feel that I do it justice. I have a feeling that my exercise may be more a melancholy reminiscence than an exercise to perfect a photograph, but what artist should feel so lofty in their confidence to claim to be able to do nature or memories their justice anyhow, but why not make it a goal?

I will return to this location again someday. And when I do I will know just how to shoot it next time. Perhaps I won’t be so overcome in the experience of being there to not take the time to stop and be thorough and find that special comp, or to wait until the light is right. Perhaps then I’ll be able to claim that I’ve done this little bridge the justice that it deserves. Until then I’ll pull this photo out once a year and process it one more time, remembering that special day every time that I do and questioning the reason that I am.

He’s too close for missiles Goose!

Full Manual Meme

I see this meme come and go here on Facebook. I figured that it would be worth it for me to comment on how I feel about this statement.

I encourage everyone to shoot on Manual Mode, but I'm talking from the perspective of a landscape photographer. In landscape photography we are typically in no hurry and it's important to control your camera settings to make sure that you have, what I call, the three essentials captured properly - focus, dof, and exposure. You don't want to have the camera choose one or two or even all three of the settings that allow you to affect the three essentials. In most every case you will want to control all three by having absolute control over the critical settings, shutter speed, aperture and ISO.

Now with that being said, as photographer who practices more genres than landscape there are absolutely times when switching to an Automatic Mode on your DSLR helps greatly to increase your chances at getting great photos. Most all DSLR cameras come with Manual, Aperture Priority, Shutter Priority and Priority Modes. There are practical reasons for each mode.

Let’s say that you’re photographing a wedding and you’re doing candid photos of the attendees. Do you really want to have to meter your light, adjust your camera, focus and take a shot? The moment passes in a blink of an eye sometimes. In any situation where the subject changes quickly or there’s a lot of action the Auto Modes will come in handy. Aperture or Shutter Modes would help greatly.

In Shutter Priority Mode you can set the Shutter Speed to your desired speed - The slowest shutter speed that you will need to create a clear image with no motion blur - Then set the ISO to Auto and set the Maximum and the Minimum ISO that you want and then let the camera set the aperture.

In Aperture Priority you can set the aperture to your desired setting f/stop - Many times a shallow DOF which helps your shutter speed and softens the background - Then set the ISO to Auto and set the Maximum and the Minimum ISO that you want and then let the camera set the shutter speed.

When I shoot in an Auto Mode these are the two that I typically choose - Aperture Priority and Shutter Priority - with Aperture Priority used the most.

The third is called Program Mode. Program Mode is Automatic, allowing the camera to control all of the settings, but if you decide to change the shutter or aperture, is goes into “Flexible Program Mode” once you turn either dial. When you make the change the camera will compensate with the other setting that you didn’t affect. In other words if you are shooting in Program Mode and you turn the shutter dial the camera will change the aperture to keep the exposure proper.

Here’s how I look at it. Learn to shoot in Manual Mode. Learn your camera until it becomes instinctual. Learn how to nail the exposure and the DOF and how to deal with ISO. Learn Manual Mode because it will allow you to know when it’s going to pay to switch to an Auto Mode. If you understand Manual Mode you will understand just what it is that your camera is doing when you ask it to take over some of the work for you. There are many times when you will never consider an Auto Mode, but they’re there if you need them.

It reminds me of one of my favorite scenes in Top Gun when Maverick is chasing the instructor and says, “He's too close for missiles Goose, I'm switching to guns!”.

 

Danny at The Owyhee
Danny at The Owyhee shooting medium format view camera.

My Latest Release – Rhododendron Gateway

Rhododendron Gateway

I love Spring and early Summer. I love photographing the wildflowers that bloom around my home here near Mount Hood, especially the rhododendrons.

This is a view of Mount Hood from the northwest on a hilltop above Lost Lake.

Prints of this photo can be purchased at this link. As always, I appreciate your kind support.
https://gary-randall.com/product/rhododendron-gateway/

Rhododendron Gateway
Rhododendron Gateway to Mount Hood Oregon

Leslie Gulch and The Owyhee River in Eastern Oregon

Leslie Gulch in Eastern Oregon

Leslie Gulch and The Owyhee River in Eastern Oregon - Oregon is truly an amazing place. In terms of variety of the landscapes available within an easy day’s drive, who really needs to travel outside of the state to find what they want to experience? From my perspective, that of a landscape photographer, I speak primarily in regards to the natural world. Oregon has views of the ocean, rolling hills and valleys, forests, mountains, glaciers, sagebrush desert, mud playa desert, you name it. I tell people that in Oregon there’s a view of a canyon that’s deeper than the Grand Canyon - Hells Canyon on the Snake River.

Leslie Gulch in Eastern Oregon
Leslie Gulch in Eastern Oregon

Considering the variety of terrain that we have to choose from here, I seem to gravitate to Eastern Oregon. Perhaps it’s because I live in trees and relish a clear view of the sky and clouds, but I seem to breathe more freely in the open spaces and expansive views that I find there.

My latest trip east included a stop at a place that I can never get tired of exploring, Leslie Gulch. Leslie Gulch is on Bureau of Land Management land located about an hour from the little town of Jordan Valley near the Oregon and Idaho border. Named for a

poor fellow named Hiram E. Leslie who was struck by lightning there in 1882, it’s a part of a larger area that is a part of the many canyons that make up the Owyhee River drainage. It’s a canyon with towering rock spires and formations made of ancient volcanic tuff, a rock very similar to what’s found at the popular Smith Rock State Park, but times ten as there are huge formations surrounding you all the way through the canyon and up side canyons.

Owyhee Country in Eastern Oregon
Owyhee Country in Eastern Oregon

The canyon has a 15 mile dirt road that takes you down into and through to the end where it meets the Owyhee Reservoir where there can be found the 8-unit Slocum Creek - Leslie Gulch Campground (Open from March - November) and a boat ramp. Many people come here to fish. A bit of caution must be expressed here. The road can be treacherous in rain, and the area can be prone to flash floods so be warned. When adventuring in remote areas always be prepared and make sure that your vehicle is up to traveling for miles on dirt. Please don’t go unprepared.

Once you’re in the canyon you’re surrounded by castle like pillars of rock formed by ancient volcanic ash, sheer cliffs and honeycomb type rock formations. The rock features are jagged and more reminiscent of a place in southern Utah or Arizona, but it’s all Oregon. In the Springtime wildflowers bloom, but as Summer approaches the grasses turn yellow and the canyon can be prone to grass fires. Although elusive, there is an abundant amount of wildlife there including bighorn sheep which was established there in 1965 that number close to 200 animals. As you sit at camp you’re serenaded by birds including chukars, which are a type of partridge, and coyotes in the evening, while consumed by the aroma of sage and juniper. Oh - And there’s no cell phone service there so you have no choice but to relax and take it all in.

Cliff Along the Owyhee River in Eastern Oregon
Cliff Along the Owyhee River in Eastern Oregon

While in the area take note of some other places nearby that are also worth visiting. There are many other places to get a view of the Owyhee River as well as camping places. Succor Creek is another spot that I’d recommend. Consider also visiting Silver City Idaho, a remote “ghost town” at the end of a rough dirt road that still has a few hearty residents holding on there and a city ordinance that prohibits modern improvements. Take a day and explore the old town and its old buildings including the Idaho Hotel. The little town of Rome and the Pillars of Rome and views of the Owyhee River as well as the Alvord Desert - A mud lake much like Death Valley in California are nearby. The Steens Mountains, considered the Alps of Oregon tower up from the Alvord Desert, and also the Malheur National Wildlife Refuge north of the Steens is an amazing place to sit and birdwatch.

The Owyhee River in Eastern Oregon
The Owyhee River in Eastern Oregon

Prior to my time in Eastern Oregon I must admit that from all that I had heard I felt like there was nothing there but sagebrush and coyotes, but once I decided to go it was immediately obvious to me that I had found the solitude that I love and an expanse of land to explore and discover. It may not be for those who want luxury in their free time as there aren’t many motels but for those who want to get away from the luxurious, forget a shower for a few days and spend time in the natural world, I would recommend Leslie Gulch.

s2Member®