Angry Skies Over Mount Hood Oregon. This is a time lapse of the thunder clouds as they were passing by Mount Hood. This was taken from Lolo Pass Road near Zigzag, Oregon May 4th 2017.
Well it's shaping up to be a great year for wildflowers on Mount Hood. The flowers are about gone at the lowest elevations but they're moving their way up the side of the mountain. We had a great year for snow and a wet and cool Summer so far, generally speaking. The flowers seem to be taking advantage of the conditions.
I started this year in the Columbia River Gorge photographing Rowena Crest and Dalles Mountain Ranch on the Washington side of the river. I photographed balsamroot and lupine there. In time the dogwood and rhododendrons in the forests became my game and my primary pursuit, as well as the bear grass. This year's bear grass bloom was a fraction of last year's amazing bloom. It was incredible last season but a bit disappointing this year and understandably so considering it's irregular bloom cycle. Now that the rhododendrons are about finished my next wildflower pursuit are macros of the little flowers that tend to be a bit more singular in their dispersion. These are the ones that I enjoy photographing close up. At this time the lower meadows are blooming and in time the upper alpine meadows will be covered with flowers as well.
Here are a few photos that I have made so far this season. Most are close up shots, I love macro photography, but I plan on getting up to those upper meadows soon for some nice photos of Mount Hood so I hope to have more landscapes with nice flowers in the foreground. We'll see how that goes.
I have plans for a wildflower workshop next Summer. I hope to be able to use it as a venue to show my macro photography techniques. Stay tuned for news about that when I post next year's schedule. Look for it soon.
Thank you for all of your support everyone.
I had the opportunity to visit Silver City Idaho this last June for a day. I'm still in a bit of disbelief that this kind of place still exists in today's modern world.
My friend Bruce and I packed our gear and headed to southeastern Oregon where we explored several places that we've been curious about, so on this trip we drove past the familiar scene of the amazing Alvord desert, after a burger and a shake at Fields Station, and headed north in to the Jordan Valley area including The Pillars of Rome and Leslie Gulch. After a side trip in toe Nampa Idaho to get a tire repaired, we made the side trip through the beautiful southern Idaho area to Silver City.
Once we arrived in the little town hidden back in the hills we knew we were some place special. After traveling over an hour on back country, single lane dirt roads of varying condition, we arrived to a large sign stating, "Welcome to Silver City Idaho. All property is privately owned. Please do not destroy or trespass. Violators will be prosecuted. Signed the Owyhee County Sheriff". Fair warning I thought. 🙂
We traversed the dirt streets past old well kept 19th century buildings, daring not to exceed the 5 MPH posted speed limit, and pulled up to the Idaho Hotel as if we were riding up to the hitching post on our horses after a long ride on the dusty trail. We walked inside and found the proprietor busying himself inside. We were glad to see that he was open for business and sold cold beer. Bruce and I each ordered a cold one and proceeded to engage the keeper in interesting conversation concerning the history of Silver City. Established in 1863 the hotel has changed little in character through the years. The old building showed obvious wear from an untold number of foot falls and activity through it's 150 year history.
Once we finished our refreshment and a series of interior photos, we left the building to roam the streets, guided for a time by our new found friend. As we explored the town I photographed a few of the details in the quaint little city. There are so many different views and details to be noticed and creatively photographed.
If you are ever in the vicinity of Silver City and feel adventurous enough to travel the old back road to the little town, take a day and go take a visit. Remember that this is a real town and not an amusement park. People live there. They enjoy showing a stranger around but appreciate their privacy.
Below are a few of the variety of black and white photos that I made while exploring the beautiful little "ghost town" of Silver City Idaho.
Oregon Aurora - The Northern Lights in the Pacific Northwest - There once was a day when I was asked, "What would be your dream shot?" I replied that my dream shot or the impossible shot would be the aurora over Mount Hood, Oregon.
Since then Earth has passed into the peak of the solar cycle known as solar maximum and camera sensors have become much more sensitive to light allowing myself and many other photographers to be able to photograph the event when it happens, and it has happened quite a bit the last three years. The first time that I photographed the aurora I had no idea that I had captured it in the shots that I had made the night when I went to photograph Trillium Lake, but when I looked at the photos when I had returned home I noticed a green glow on the horizon. Granted, it wasn't columns and ribbons of light, but a soft green glow. That was October 24th, 2011. Four years ago.
Since then I have been able to catch the Northern Lights in the area and snap a few photos. It's not as easy as just taking a chance and going and to get a photo. They only come after a solar storm and typically happen from a day or three afterward. I use an application for my phone called Aurora Notifier that signals me when the Kp level, the strength, of the aurora rises above 4Kp. Once that happens, if it's a dark night, I grab my gear and go.
Once out in the dark one must realize that at this latitude the light is dim and difficult to see with your eyes, but if it's a strong enough display you can see the light pillars dance on the horizon once your eyes are adjusted. You must get away from any sky whose darkness is diluted by any affect from town or city light. Even the light from the moon can wash out the northern lights. Choose a dark sky with a view toward the northern horizon. Set your camera on a tripod and set your aperture wide open to allow as much light in as possible. Then set your ISO high, it will vary depending on how dark the sky is or how bright the aurora is. Then set your shutter speed for at least 20 seconds. This long exposure is only for the aurora at this latitude. When photographing the aurora in the northern latitudes where the aurora is much brighter a much shorter exposure is called for.
Once you have your camera set take a shot and see how it looks on your preview screen. If it's too dark raise your ISO or extend your shutter time, from 20 sec to 25 sec for instance. If it's too bright lower your ISO. That should get you started. There are challenges that you will run into but in time you will get some northern light shots for your own.
Below is a collection of some of my Oregon Aurora photos. I hope that you enjoy them.
No color was added to any of these photos.
The car doors closes with a thud and the interior light's soft glow that's been allowing us to prepare our gear turns off in an instant leaving our senses to rely on sound as all sight goes away in the black of the night. I put my arm out to reach for Darlene as we both let our eyes adjust to the night sky. The summer breeze wisps softly around us as the stars appear as our eyes adjust. Darlene was the first to break the silence when she lets out a sigh as the Milky Way appears in front and above us. "Wow" is all she says.
We lock arms and shoulder our gear, turn on our headlamps and walk into the night and up the path jagged volcanic rock bordered path to the rocky structure that is the Dee Wright Observatory on the McKenzie Pass through the Cascade Mountains in Oregon.
The structure was built in 1937 and is made from the lava rock chunks that make up the surrounding area. The observatory sits amid a barren rocky ancient lava flow very much like the black basaltic a'a lava flows in Hawaii. Because it's made from the area on which it sits it looks as if it is rising from chaos to be assembled in a wholly organic yet orderly fortress like structure. it was made as a place where people can come to view the beauty of the area from a majestic prominence, and yet we couldn't see past the light of our lamps.
The arched openings showed the warm flickering light from a candle that was placed inside by another visitor for the purpose of making photographs. How fortunate we think as we walk up to get a view of the Milky way in the south sky shooting up and over the observatory.
I'm fortunate that Darlene likes the night time outdoors as much as I do. We decided to pose her inside of one of the arched openings. We get a few shots until the other photographer takes her candle and leaves at which point we start using a flashlight. We light paint the outside for a while. We go inside and we light paint inside for a while. We're taking shots, checking them out on the backs of our cameras, adjust and try to perfect it before moving on the the next shot. We're like kids in a playground.
We finished the shoot on the observation deck at the top of the structure, in the center of which stood a raised pedestal with a 36" diameter bronze azimuth-like "peak finder" compass. On its face are lines that help the observer find prominent landmarks, such as the incredible volcanic peaks of the Central Cascade Mountain Range. Belknap Crater from which the lava which flowed over the area is where the rock that made the lava flow came from. Then there is North, Middle and South Sister Mountains to the south, the amazing jagged peak of Mount Washington, the scenic Mount Jefferson, Mount Hood, to the north and Black Butte to the east. Several more are marked on the circular bronze disc with an arrow pointing in their direction.
I light paint the disc as a foreground for a Milky way photo and then we decide to just turn off the lights and look at the stars for a few minutes before heading back down the rock path and back into the glow of the light of the car.
I love the night.