I love Alaska, but I love her people even more.
I love Alaska, but I love her people even more.
The Northern Lights over Anchorage Alaska 9/3/16 - 2:28 am
On this particular night Darlene and I were driving back toward Wasilla through Anchorage when I decided that I wanted to drive up to the Glen Alps to see if we could see the aurora over the city. Darlene wasn't feeling so well but agreed that it would be fun. I was driving and Darlene wasn't paying much attention to where I was driving so I ended up driving to the end of a road that I never intended to drive to. Whatever the road, it had a trailhead and a turnaround, so I turned around, which oriented my windshield directly north toward the lights of Anchorage so I pulled to the side of the road to take some photos. This is the result.
I may have got turned around but I ended up with some pretty cool photos. It's not often that I've seen a nnive aurora over city lights.
The Marquam Bridge Portland Oregon.
My friend Matt Payne and I were talking about this photo of The Marquam Bridge Portland Oregon and how it's such a prominent in a sea of city lights, making it an obvious composition for a photographer with an eye for detail. I think that some who have photographed this overpass intersection have done it intentionally due to seeing the photo but others who may not have seen this previously just see it and do it.
I took this photo back in 2011 with my friend Bruce. He had seen this intersection in another photograph, perhaps not this exact composition, and wanted to try to get the shot. I was glad to come along, and am honest that I did not create this comp. I was unaware of it until Bruce talked to me about it.
in 2011 not many had photographed this intentionally but since then I've seen it pop up in a lot of photographer's portfolios, and rightfully so. The photos are certainly striking, especially if you've never seen it before.
I shot this at 300mm from the top of "Pill Hill at the OHSU Tram upper terminal. It was windier than the halls of hell, but it's a great place to view the city.
This last year for me was a bit of a challenge when it came to photography, but it's been a great year businesswise. The carrot keeps getting a little closer each year. And 2017 was the year that I got married. As bittersweet as it was, I was still able to get out and take a few shots.
2017 was the year that I was repaired from all of the accumulated abuse that I've done to this body in the last few decades. Last December I had back surgery and was laid up longer than I had anticipated. I'm just now starting to realize an improvement in the pain, a year later. Once I was back on my feet from my surgery my mom had her shoulder replaced and no sooner than her shoulder had healed she went in for knee replacement. Because it's just my mom and I these days I am her moral support, and she mine, so I had little time to go and do any shooting this last year. But in 2018 this all will change.
I can't wait to get this year started!! Darlene and I are going to start the year out by heading up to Alasky this month and then a couple more plans for travel that we'll reveal come closer to the day.
And so, in light of all that, here are my favorite ten photos from 2017 in no particular order. I hope that you like them.
I promise to do better in 2018. 😉
2018 Columbia River Gorge Calendars and Note Cards
2018 Columbia River Gorge 12 Month Calendar - $20.00 <-- CLICK HERE
4-Packs of photo note cards - $10 <--- CLICK HERE
In light of the recent Eagle Creek fire in the Columbia River Gorge I have decided to dedicate my 2018 calendar to all gorge photos. There are certain places that will never look the same as they did before. I still have some left so gt them while you can. These calendars are of a very high quality offset printing. They come saddle stitched so they lay flat. The photos are 8" x 10".
The note cards are 4 1/4" x 5 1/2". They're blank inside so that you can write your own message. They come four to a package, with envelopes. Each card has a different scene.
Supplies are limited so act now.
Thank you all so very much for your support. 🙂
Camera Basics Refresher
Well, it’s a new year and Christmas has come and gone. With the popularity of photography lately I’m sure that there will be some readers who have received the gift that they wanted, a new digital camera. Because of this I have decided to brush up on how to use it to more of its potential. So let’s talk about manual camera operation.
You have a new camera that, unlike your phone’s camera, was designed exclusively for making photos. I am going to assume that the reason that you wanted your new camera was to make photos that are even better than you could with your cell phone. To do this you will need to move away from the point and shoot mindset and decide to be the computer that controls the camera instead. Switch to Manual Mode.
Let’s start with the “Big 3”. Exposure time - Aperture Setting - ISO/Film Speed. When you’re taking a photo you will want to understand what all three are, how to control them and how they affect each other.
Shutter Speed - Your shutter is a gate that opens and closes to allow light from the outside to come inside of the camera and fall on the film/image sensor. The longer your shutter speed is the more light that’s allowed in and, conversely, how much can be stopped or blocked from coming inside. Consequences of both being a twofold. The first is the exposure of the image, or how bright or dark that it is. The second being the allowance or elimination of movement in your photo. The primary concern typically is to get a photo that’s bright enough without movement being blurred, but there are times when you will want to show movement or blur in your photo such as a waterfall. A fast shutter speed freezes movement while a slower one will blur movement.
Aperture setting - The aperture is a mechanism in the lens that you can adjust to vary the size of the hole that the light goes through as it passes through the lens and into the camera. The larger the hole the more light that can come through in a set amount of time (shutter speed). You can have the same shutter speed but control the amount of light with the aperture. The second consideration when adjusting your aperture is how it affects the depth of field, or how deep the focus is in the photo. When you choose a larger hole, which is represented by a smaller f/stop number, it will give you a smaller or shallow depth of focus, whereas a smaller hole with a larger f/stop number, will give you a larger or deeper depth of focus. One will realize that with a smaller hole for the light to come through a longer shutter speed will be needed to get the same light inside. With a longer shutter speed you will have a chance to blur, as mentioned previously, which will require you to use the third setting in our big three adjustments to further affect the exposure.
The third and last adjustment that we will add to the formula is what was once called “film speed” in film photography, which is indicated by the ASA rating of the film, whereas in digital photography, where there is no film, we adjust the ISO. The film speed indicated how sensitive to light the film is. A lower rating such as 400 ASA will be less sensitive to light than a film rated at 1000 ASA. When the film is more sensitive to light it takes less light to expose the film so you can use the film in darker light or it will allow you to use a faster shutter speed or a smaller aperture opening. With this understanding we can translate the application of this information to digital cameras easily. In digital cameras the film is the image sensor and the film speed is translated to the ISO setting of the camera. The ISO setting varies the sensitivity to light of the image sensor. The beauty of shooting with a digital single lens reflex camera is that you can vary the light sensitivity of the camera using a dial, whereas in film you had to change the whole roll of film. The one consideration when setting the ISO is that the higher the ISO the more grain/noise that you will have in your image.
Let’s summarize what has been covered. You have three settings, shutter speed, aperture opening, and ISO or light sensitivity. All three will affect the each other so you will usually need to adjust another, or both, when one is changed. We can now use this knowledge to set our exposure considering movement, depth of focus and acceptable image noise.
Next, to know how close your exposure is to proper your digital SLR camera comes with a built in light meter. As you set your camera you can keep an eye on the light meter and balance it in the center. Once you have your shutter speed, aperture and your ISO set according to your light meter take your shot.
Once you take your photo you will have a display on the back that will show you a preview of the image. You can check your focus and your composition with this preview of the photo, but you can’t get a real indication of the exposure therefore, the next and last step is to check the exposure with the histogram. The histogram is a graphical representation of the range of light that was captured in your photo. If the histogram doesn’t show automatically with the preview you can find a setting that will allow it. The histogram will look like a rectangular box with a bar chart inside. The left side will be the dark part of your photo such as shadows while the right side will represent the highlights. What you will want to attempt is to balance the highlights and the darks with your “Big 3” adjustments using your histogram as your way of verifying your success. If the settings were a little off, make an adjustment and take another photo. Film is cheap when you’re shooting digital.
All of this may sound a bit confusing at first but the confusion leaves with practice. Like I mentioned previously film is cheap when you’re shooting with a digital camera so go out and take a lot of photos. Therein lies the secret to improving your photography. Practice and experimentation.
It’s my hope for you that your new camera, or your old one for that matter, will provide you with as much fun and life enriching experiences that mine has for me.
Happy New Year.
A Christmas Cabin in The Woods.
It was late in the day on the eve before Christmas Eve when I decided to drive up to the Little Zigzag River to get some fresh air and take a few photos of the creek in the snow. It was getting dark and I wasn't too pleased with the photos that I took there, but as I was driving back home I passed by this cabin in the forest. It was all lit up and it caught my eye. It was well into the Blue Hour when I stopped for this photo so the warmth of the interior lights contrasted well with the blue snow covered forest vignette.
It goes to show that when one sets his goals on something they ultimate goal may not have been achieved, but you usually get something for your effort.
"You're too close to the trees to see the forest." To which I reply, "Well, sometimes there's more to the forest than just the trees!" First I see a forest, then trees, then leaves, then bark, pine cones, moss, mushrooms, bugs, dew, grains of sand.
Landscape photographers in many cases have Ultra Wide Fever. The want to buy the widest lens that they can buy and include the whole forest sacrificing the complexity and beauty of the details.
Darlene and I were hiking back from a visit to Tamanawas falls when this leaf caught my eye. We stopped and switched our lenses to our macro gear and started shooting these amazing brown drops of water. Apparently a forest tea steeped from the dew from the morning and the juices of the maple leaf.
Sometimes one really should stop and savor the little things in life to be able to enjoy the big picture.
A Photographer in 1912 - It seems that not a lot has changed since the old days of photography. This poor fellow lays it all on the line with his sign. It reads:
MONEY ALL GONE
IF YOU WANT A PICTURE
COUGH UP 10¢ IN ADVANCE
U WILL GET ONE SURE
DONT SAY GIMME ONE
IT DONT SOUN GOOD.
Have you ever been driving down a country road and glanced to the side and then slammed your brakes, put it reverse, jumped out to snap a photo and then drive on? A photographer can be the worse Sunday Driver to get behind when the light is right unless they're in a hurry to get somewhere in particular. This is not the case in this situation. On this morning I had a non photography destination in mind but decided to take the long way instead of the highway with the commuter crowd, which took me away from traffic and through rural settings about sunrise.
As I drove I glanced to my right and saw this pass by. Because I was the only one on the road at that moment I decided in a split second to pull over get the shot. I'm glad that I did. Not only did I get a nice photo that morning, but the break from driving allowed me to relax, breath in the fresh air and enjoy the rest of my journey.
This is just a simple roadside scene at sunrise on a beautiful Autumn day.
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