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Visualizing The Photo – An Outdoor Wedding Portrait

I am glad to be known more for my landscape photography than I am for any other photography style or genre that I dabble in, although I certainly do not limit myself strictly to landscapes, it’s what drew me back to photography in the beginning. This brings clients to me who want a unique heirloom portrait of themselves in the outdoors. As a landscape photographer I have many locations in the back of my mind that would work for the photos that my clients expect from me.

This photo is an example of one such session. The clients wanted a photo of themselves with Mount Hood behind them. We were fortunate to have a window of time when the skies would be clear, and a view of the mountain could be had. I chose White River Snow Park on the east side of Mount Hood. The park is busy, but we did well, and I can always take out the errant person in the distance with a clone brush tool in Photoshop during post processing. We walked up to an area with some trees which gave the photo the feel of being at the edge of a wilderness forest with the incredible mountain in the distance. The scene gave a sense of solitude to the feel of the photos even though there were people all around us.

I took a series of photos varying my focal length from 24 millimeter to 35 millimeter according to the composition that I was trying to achieve. They all turned out fine, but I had a vision in my head of a photo with the couple in the foreground with Mount Hood looming large in the background. An effect that I could not achieve with a wide-angle lens. I had this idea before we arrived and as we drove into the parking area, I surveyed the location to find a place to get the shot. I knew this location very well and so I drove right to where I knew that I would have the best luck in creating the photo. We did not have to walk far, fortunately, as the couple were surrounded by snow and dressed in their wedding clothes.

Once we had finished the photos, and were about to return to our cars, I asked my clients to stay behind with my assistant while I returned to my car to change lenses and take a photo of them from there. They were up on a ridge of snow above where I had parked with Mount Hood positioned perfectly behind them. As I stood in the distance, I mounted my 200 mm lens to my Nikon D850 and then zoomed in to 160 mm to compose the frame. I then stopped the aperture down to f/14 for a clear depth of field. Once my assistant had posed the couple, I took the shot. I had used a method of enlarging the mountain, in this case five miles distant, to fill the frame to give the illusion that the subject is much closer to the background than they were. I and my clients were pleased with the outcome.

Understanding your location and the capability of your gear makes it easier to visualize a photo prior to arriving at the location. And visualizing your photoshoot prior to the day of the event will allow you to be more prepared and to be more relaxed once you go to work. In addition, knowing the capabilities of your equipment will allow you to understand basic concepts or methods such as lens compression to create more compelling photographs.